I received a press release about a new series presented to the Twin Cities by The Loft Literary Center and the Hennepin Theatre Trust: Literary Legends. From March to October the series welcomes literary greats for special in-person appearances. I'm really excited about this, not only because I would love to see a few of them speak, but because I think gaining access to authors is a cool experience for many of us. Here's a bit from the press release:
Literary Legends launches March 30 with Mary Oliver, the beloved American poet acclaimed for her lyrical connection to the natural world, and recipient of the Pulitzer, a Guggenheim Fellowship and the National Book Award. The series continues on June 23 with the groundbreaking Armistead Maupin, who is now back with more eagerly awaited “Tales” in his 2007 book “Michael Tolliver Lives.” October 2 brings a not-to-be-missed opportunity to hear David McCullough, two-time recipient of both the Pulitzer Prize and the National Book Award, comment on the U.S. presidency as the country prepares for an historic election. October 17 offers another special highlight with Khaled Hosseini, the Kabul-born author of two recent worldwide best-sellers—“The Kite Runner,” just released as a hailed yet provocative film, and “A Thousand Splendid Suns.” On October 19, David Sedaris, the funny and sardonic perennial favorite of the literary world, reads from his much anticipated next collection “When You Are Engulfed in Flames.”
Minnesota Public Radio also offers up great authors to Twin Citizens through Talking Volumes. One I would love to see: Judy Blume. In June she talks about her new children's series, an off-shoot of her hit "The Pain and the Great One." I read that book so many times when I was little.
What author would you love to see if you had the chance?
Showing posts with label authors. Show all posts
Showing posts with label authors. Show all posts
Friday, February 15, 2008
Monday, January 21, 2008
The View From Mount Joy
Landvik’s books always revolve around quirky characters and families, and usually women. However, this book is narrated by a guy. It opens as Joe, the narrator, starts high school (in the 70s), having moved from Wisconsin to Minneapolis. He strikes up an interesting “friendship” with the head cheerleader Kristi and an unbreakable, platonic bond with hippie Darva. The book follows Joe through the next 30 years, and how these two women float in and out of his life – sometimes remarkably, sadly, full of fun and infuriatingly.
Landvik’s humor is always flowing strongly through her novels. You’ll laugh out loud and cry, too. I think I prefer when she takes the p.o.v. of women, but she did a pretty good job writing from a male perspective, too. Many of her other books take place in out state Minnesota, so it was fun to read about Lake Hiawatha and other Twin Cities landmarks that I know more about.
Wednesday, November 28, 2007
Jodi Picoult, Part II
I wanted to comment on the post my friend Willikat made on my previous entry. She mentioned she used to think that Picoult's books may have been "supermarket" reading - you know, cheap romances, thrillers, nothing too substantial. I'm also hesitant when it comes to these uber-authors who can write so many books so fast. I mean, James Patterson (whom I've never read) writes at least two books each year, if not more. But I read that he writes with a partner - someone who can take Patterson's outline for a story and fill in the rest. Other examples include Sue Grafton (A is for Alibi, etc.), another author I've never read, or Patricia Cornwell (I've enjoyed her Kay Scarpetta novels), Janet Evanovich (I read through Seven Up before the Stephanie Plum series got old for me), Stephen King, etc. These authors are different than the J.D. Salinger and Harper Lee-types who write one or two great books in a lifetime. Right?
Picoult actually has a very interesting podcast on her Web site titled "Literary vs. Commercial." She talks about the difference between the two types of books: Literary books get reviewed by the The New York Times, commercial books top the NYT Bestseller list; literary authors get nominated for national book awards, commercial authors may not get awards, but they make lots of money; literary books make you think about them long after you've read them, commercial books are forgettable; and so on.
Picoult talks about the day she realized she was considered a commercial author - with her books stacked to the ceiling at B&N or on the grocery store shelves - and not necessary a literary one. She talks about her struggle with this: should she be happy she can pay the rent, or disappointed she's not considered a literary gem that all the critics are talking about? The podcast is only six minutes long and definitely worth a listen if you're interested in this type of thing or aspire to be a writer yourself. (Her other podcasts are also interesting: her own son being bullied in school inspired her to write Nineteen Minutes.)
I think Picoult is actually the perfect mix of the two. She's commercial because her books sell like hotcakes and she probably makes the big bucks. She's literary because she's well researched, discusses important issues and I'm still thinking about several of her books months and years after I read them - especially My Sister's Keeper and Nineteen Minutes.
Your thoughts? Who are the "commercial" authors you can't help but love? Who are the "literary" authors you feel don't get enough publicity? If you aspire to be a writer yourself, what type would you want to be?
Picoult actually has a very interesting podcast on her Web site titled "Literary vs. Commercial." She talks about the difference between the two types of books: Literary books get reviewed by the The New York Times, commercial books top the NYT Bestseller list; literary authors get nominated for national book awards, commercial authors may not get awards, but they make lots of money; literary books make you think about them long after you've read them, commercial books are forgettable; and so on.
Picoult talks about the day she realized she was considered a commercial author - with her books stacked to the ceiling at B&N or on the grocery store shelves - and not necessary a literary one. She talks about her struggle with this: should she be happy she can pay the rent, or disappointed she's not considered a literary gem that all the critics are talking about? The podcast is only six minutes long and definitely worth a listen if you're interested in this type of thing or aspire to be a writer yourself. (Her other podcasts are also interesting: her own son being bullied in school inspired her to write Nineteen Minutes.)
I think Picoult is actually the perfect mix of the two. She's commercial because her books sell like hotcakes and she probably makes the big bucks. She's literary because she's well researched, discusses important issues and I'm still thinking about several of her books months and years after I read them - especially My Sister's Keeper and Nineteen Minutes.
Your thoughts? Who are the "commercial" authors you can't help but love? Who are the "literary" authors you feel don't get enough publicity? If you aspire to be a writer yourself, what type would you want to be?
Tuesday, November 27, 2007
Jodi Picoult
One uber-author (one of those authors who can crank out books nearly every year) of whose novels I've read quite a few is Jodi Picoult. On her Web site she says she can write a book in nine months - she doesn't know why it takes her the same amount of time every time, but it does. I enjoy Picoult's books because they usually surround a controversial issue with a story about love and family. She puts an incredible amount of research into her stories, so that while they are fiction, everything that can be is factual. Plus, her books are fast reads, they sweep you up from the first page and they're nearly impossible to put down. Here are the five Picoult books I've read so far, in no particular order:My Sister's Keeper: This book looks at the issue of a family with a child with a devastating, life-threatening illness. When the child is diagnosed, the parents have another child immediately in the hopes of producing a genetic match and in turn helping to cure this disease. What ensues is a lifelong battle for this new child, a battle between being poked and prodded every time her sister falls ill again and the hopes of being just a normal kid. The book alternated between voices of both sisters, their parents, the brother and the lawyer who the youngest hires to sue her parents for the right to her own body. This was a heartbreaking story that really had me thinking about some ethical issues. (Movie News: Dakota and Elle Fanning have been cast to play the sisters and Cameron Diaz has been cast as their mom in the soon-to-come movie of the same name.)
The Tenth Circle: A father who illustrates comic books from home, a mother whose college professorship brings her closer to student then it should, and a daughter, Trixie, who learns what it's like to be in love at 14 and what it's like to have your heart broken, too. Trixie finds herself in violent situation and her father, a normally mild-mannered man, reflects back to his difficult childhood when he tries to protect her. The Tenth Circle looks at teenage angst, racial stereotypes, broken marriages, drug use and sexual violence, all in one household - a household that could be thought of as normal by anyone. One of the most unique features of this book is the mini comic book that runs throughout. I'm not a comic book fan, but I definitely enjoyed this aspect of the book. (Fun Fact: Because the comic feature was so cool, after this book was published, Picoult was asked to scribe the latest Wonder Woman story.)
Salem Falls: Jack St. Bride was wrongly accused of having an inappropriate relationship with one of this high school students and serves time in jail. When he's released he tries to start over in Salem Falls, a tiny New Hampshire town, but once the citizens, in particularly one disturbed 17-year-old girl, find out about his past he find a whole new set of problems. This book brought on that struggle readers sometimes face when we know a character is innocent, but no one in the book does. You just want to scream at them!
Vanishing Acts: 32-year-old Delia learns that what her dad has told her about her mom and their life together isn't all true. In reality, her father kidnapped her from her mother when she was too young to remember. But was it for the right reasons? That's the issue readers have to figure out. Both this book and Salem Falls have several scenes that take place in prison. It's horrifying to think about what goes on in prison (especially to the men who shouldn't be there in the first place), and Picoult brings it all to life - just another aspect of life I'm sure she had to greatly research.
Nineteen Minutes: This story surrounds a school shooting. It looks back over the lives of some of the parents and kids who were involved in the shooting, sometimes from 15 years out. This was a very interesting book in that it looked at how it could be possible for good parents to raise a child who ends up shooting up a school - and how they may not even see it coming. Many of Picoult's books have a bit of a surprise twist in them, but this one had the most shocking one of all. I usually see these things coming, but I didn't until right before she let her readers in on it.
Monday, November 26, 2007
Children of God Go Bowling
We rejoin Shannon in her mid-30s, still struggling with the same issues of the previous book. She has yet to find a boyfriend, yet all her friends have paired off and have started to pop out babies. She still does her laundry at home. Instead of peeking in on her sessions with her counselor, we now take part in group therapy with her (a suggestion from the aforementioned counselor). The characters in group therapy with her are just who you'd imagine, and the sessions play out as scenes in a movie might - the passing of the tissues, the breakdowns, the snide comments, the reprimanding from the group therapist. But at the end of the day, this mess of people, who only know each other because of group therapy, really help each other. Shannon's inner thoughts on the group rank right up there with some of the funniest things I've ever read.
The title of the book is a reference to something someone in her group therapy session said about the sport of bowling. It seems most people bowl pretty poorly. So, no matter who we are in our everyday lives, when we bowl together, we're all on an even playing field. Or, in other words, God loves us all equally.
Shannon also makes a reconnection with a college friend, Adam, who is also single in the city. Maybe Shannon has been setting her sights too high and has missed the laid back, silly, lanky, kind-of-cute friend who has been in front of her ever since freshman dorm life? Things don't work out that way, but Shannon and Adam do experience an emotional road in the end.
This book includes the same humor that I loved so much in Welcome to My Planet. However, it reaches a little deeper than the previous book. Through her sarcasm and self-deprecating manner, Shannon is forced to deal with some very adult emotions and experiences, and watching (reading) her struggle through it and make the decisions she does is emotional for the reader as well. When I read this book in 2004, I learned what life might bring in the future. And now, nearly four years later, I've experience some of the the same things Shannon did. Maybe I wasn't that much better prepared for it all, but I do think her story helped. It's amazing to me how books can do that.
(Sara L., I hope you're bowling strikes right now. We miss you.)
Thursday, November 15, 2007
Welcome to My Planet: Where English is Sometimes Spoken
It's time to make mention of my most favorite book of all time. Shannon Olson spoke in my Creative Writing class my freshman year of college. We had a sample of her writing to read before she spoke, and I loved the chapter so much, I went to the bookstore and bought Welcome to My Planet and read it in a day. Like a nerd (but a cool nerd), the day she spoke, I asked her to sign my copy.The main character, Shannon (it's a novel, but Olson readily admits that many situations are pulled from her own life), is nearing 30 and reexamining her life. (Maybe she's reaching her quarterlife crisis or her Saturn return, as mentioned by Willikat?) We learn about Shannon's neuroses, her love life (mostly gone bad), her friends, her boss, her nameless counselor, and my favorite character, her mom Flo. Shannon is a blond haired, blue eyed, St. Olaf grad (probably the only Catholic at St. Olaf by the way) from Chaska, Minn., and she's oh so relatable, especially if you're a 20-something female from the Midwest. Her mom is our mom, her mess ups are our mess ups. The story follows her through this time in her life - going back to school, moving in with a new boyfriend, breaking up with said boyfriend, her relationships with her siblings (who seem like our siblings). Her sarcastic, self-deprecating humor made me laugh out loud so many times. So many times during the first read, and then all over again in the dozen or so times I've reread this book. It may sit on my shelf for nine months to a year, but I always pick it up again, because it just makes me so happy. There's no huge climax, no huge resolution, no life-changing moment in the book, but that's why I love it so much. It's real - and life is like that.
Her follow up, Children of God Go Bowling (which I'll write about at a later date), was the hardest book for which I ever had to wait to be published. And it delivered. I can't say it's better than Welcome to My Planet. But, it's equal. And this one makes you cry, too. Which for me, more often then not, makes a book grand.
Tuesday, November 13, 2007
The Things They Carried
While I'm a couple days late, I'd like to make mention of a book in honor of Veteran's Day. I read Tim O'Brien's The Things They Carried in 11th grade English, I believe. If you're unfamiliar with O'Brien, many of his books - novels, memoir, etc. - are about the Vietnam War. The Things They Carried is a compilation - memoir with bits of fiction, in my opinion, though it says "novel" on the cover - of short stories about Vietnam. However, the stories follow the same men of Alpha Company, so the book feels very connected throughout. Some stories are told in present-day Vietnam, while some are flashbacks from 20 years later.O'Brien's storytelling is mesmerizing. The short story that stuck with me the most, and that I still think of to this day, is "Sweetheart of the Song Tra Bong." Located in a "safe" place in Vietnam, one medic decides to bring his girl over from the States to stay awhile. Picture this prim and proper teacher in her sweater set arriving in Vietnam. She takes to the daily routine, joining in the fray and even becoming friendly with the neighboring Green Berets. Crazy things unravel - she chops off her hair, goes on secret missions, kills animals - and let's just say she's never the same again.
The other stories tell about the pressures, boredom, anger and angst that these soldiers faced during the war. While these stories are fictionalized, I'm sure their feelings and experiences are wrapped in truth. I think it would be really hard to make that stuff up completely.
What books would you recommend for Veteran's Day?
Monday, November 12, 2007
Jon Hassler and MinnPost
On MinnPost today, I read a wonderful story about Jon Hassler, author of such best sellers as Staggerford and A Green Journey, not to mention the young adult books Jemmy and Four Miles to Pinecone (both of which I read when I was younger and loved). I also wrote a paper on Grand Opening for my 10th grade English class. His books line many Minnesota shelves I'm sure, including my mom's. He's one of the greats from our region.
I didn't know, however, that he's suffering from a Parkinson's-like disease which affects his speech and mobility. Imagine how hard it is to write books when you can't write, type or speak well. The writer, Dave Wood, describes Hassler's daily life - of which writing is very much a part - and his selfless, caring wife and "helper." It's a great story of focus and perseverance.
I also want to give a shout out to MinnPost. Started just last week, this online and print publication is composed by many writers familiar to we Twin Cities dwellers. Many are former Star Tribune, Pioneer Press and City Pages reporters who were bought out, asked to leave or got out just in time when our big newspapers went through several months of turmoil and turnover recently. I'm so pleased to see their names in print again and look forward to reading what they have to say.
I didn't know, however, that he's suffering from a Parkinson's-like disease which affects his speech and mobility. Imagine how hard it is to write books when you can't write, type or speak well. The writer, Dave Wood, describes Hassler's daily life - of which writing is very much a part - and his selfless, caring wife and "helper." It's a great story of focus and perseverance.
I also want to give a shout out to MinnPost. Started just last week, this online and print publication is composed by many writers familiar to we Twin Cities dwellers. Many are former Star Tribune, Pioneer Press and City Pages reporters who were bought out, asked to leave or got out just in time when our big newspapers went through several months of turmoil and turnover recently. I'm so pleased to see their names in print again and look forward to reading what they have to say.
Wednesday, November 7, 2007
Slam
Currently I'm reading Slam, by Nick Hornby. When I posted about Hornby previously, I mentioned that I loved several of his books, but How to be Good didn't really do it for me. While I'm only halfway through it, Slam may fall in the same category as How to be Good. While it's humorous reading, it's also told from the POV of a 15-year-old boy. I'm finding it hard to relate. This boy has gotten himself in loads of trouble and the book follows him during this time in his teenage life.Hornby wrote from a teenage boy perspective, at least part of the time, in About A Boy. But, I think either he was more mature then Slam's character, or else the alternating between the two main characters in About A Boy, one an adult male (which I've said Hornby excels at), made it easier on me.
I'm going to finish the book, and I'm sure I'll enjoy it in the end. But, I can't help feeling a little disappointed when one of my favorite authors comes out with his or her next book and it leaves me unsatisfied. I know it's happened to me before. Do you know what I mean?
UPDATE (Nov. 13, 2007): I finished Slam over the weekend. In the end, I did enjoy the book, for the most part. The boy matured a bit, his heaps of trouble remained but he learned how to deal with it all in a respectable manner. However, I do hope Hornby retreats back to his forte for his next go around. I do love the English speaking though: full stop, bollocks, etc. The dialect always sticks in my head for days after and I have to try really hard not to speak that way aloud - I could never pull it off.
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